"What we don't say"
The hidden history of Queer culture

- Iceland & UK - 

Jez Dolan, UK based artist has been invited by Einkofi Productions to stay in Reykjavik, Iceland for 10 days to start his initial research. He will be working with people, archives and institutions to uncover shared LGBTQI+ stories and histories which link and connect Iceland and the UK. Jez’s practice works with queerness, language, text, and identity to explore ‘what we don’t say’, often using archival material and people’s personal archives as a starting point in the creation of new work. He aims to create a new artwork by unfolding queer culture - asking the question of how cultural heritage has left out queer culture and stories, and how this has affected the construction of gay identities in Iceland, the UK and across Europe.

A second residency call for an Iceland based artists to work in the UK is currently open over on the main NATUR page.

THE WOLFENDEN REPORT ARRIVES IN ICELAND AS PART OF REYKJAVIK PRIDE 2018

In February 1954 Winston Churchill’s post-war government began debating the need to reform laws relating to sexual offences, specifically, prostitution and homosexuality. Since the war, prostitution in London was on the rise and high-profile cases relating to homosexual offences proliferated in the media.

They appointed the “Departmental Committee on Homosexual Offences and Prostitution” under Sir John Wolfenden. Their findings, the Wolfenden Report as it became known, was published in 1957 and concluded that the criminalisation of homosexuality was an impingement on civil liberty and proposed that there “must remain a realm of private morality and immorality which is, in brief and crude terms, not the law’s business”. 

Although it took another decade for a significant change in the law the landmark publication started the processes that ended more than 70 years of the criminalisation of homosexual acts between men in the UK.

In 2015 The House of Commons, as part of the Festival of Freedoms, commissioned artist Jez Dolan to interpret the archives and history of the report and create a new artwork resulting in two screen printed pages from the report being partly translated into Polari, a secret dialect of the time used primarily by Gay men in England as simultaneous disguise and identifier. The work now features in the British Museum’s forthcoming “Desire, Love, Identiy: exploring LGBTQ histories” exhibition, which soon undertakes a tour of four British museums. The  first edition of the work, in book form, is held by the UK Parliament Archives, and the first edition of the print is recognised as the only specifically ‘queer’ artwork in the Parliament Art Collection.

During his time in Iceland Jez will be researching Icelandic LGBTQ Histories and their connections with the UK, starting with the drastic social changes instigated by the British Invasion of 1940. Icelandic LGBTQ histories and archives only surface from around 1970 with many diaries, letters and original sources destroyed to protect the men and women who corresponded in less accepting times. Jez is now seeking to unveil the personal archives, photographs, letters and memories by inviting members of the public attending Reykjavik Pride to join him as the work is presented for exhibition during Hinsegin Dagur by the British Embassy to the National Gallery of Iceland on Tuesday 7th August at 17:30 followed by Jez discussing his work on hidden archives, secret histories and Polari.

A further coffee morning with the artist will then invite people to share their stories and collections on Saturday the 11th of August between 10:00 and 12:00 in Listasafn Islands café. Both events are free and open to all click through for more details...

Jez Dolan

Jez Dolan's practice explores queerness and identity through the codification of language with a specific focus on: the things we don't say / things that remain unsaid / secrecy and hiddenness, whilst utilising text and language as both form and content, visual presence and mode of communication. Jez Dolan's practice is interdisciplinary, project-based and research-driven. He employs a range of media according to the specific needs, demands and context of each project. Working with printmaking, drawing, performance, installation and curating, often creating new works from an exploration of archival materials and sources, through which we recall and revisit individual and shared memories and histories. He is interested in researching queer identity; histories, heritage and personal archives, and how we place these, and ourselves in the wider world. Events and experiences always leave behind them a trace, or residual mark of their occurrence, and it is these traces, marks and events which Jez is interested in exploring, expressing these ideas through a process which is performative, collaborative, and celebrates the physical act of making.

Jez's practice has emerged from his previous twenty - year history as a practitioner in socially engaged arts practice and education, and continues to evolve with each new body of work which is created. He has recently completed an MA in Queer Studies in Visual Art & Culture (with distinction) at Birmingham School of Art / Birmingham Institute of Art & Design. Jez has recently shown work at: The Leslie Lohman Museum, New York City, Bury Art Museum, The People's History Museum, Manchester, The UK Paliament Art Collection & Archives and The Britten-Pears Foundation. Recent live work has included The Britten-Pears Foundation, HOME Manchester and The Victoria and Albert Museum, London. Forthcoming exhibitions include Birmingham City Art Gallery, The Herbert Art Gallery & Museum, Coventry and HOME, Manchester.

jezdolan.com